A Thousand years of Song

The Divine Feminine


May 16th, 2026 at 3:00 PM

Rio Del Valle Church

 

Featuring:

 

San Fernando Valley Master Chorale

and

San Fernando Valley Symphony Orchestra

 

Charlie Kim

Conductor

 

John Bergquist

Conductor & Composer in Residence

 

Bob Remstein

Piano

 

Ruth Bruegger

Violin

 

PROGRAM

 

“Ave Maria”

Plainchant

  

“Ave Maria”

By Tomás Luis de Victoria

Ed., Gary Harney

  

“Ave Maria”

By William Byrd

 

“Ave Maria”

By Ferdinando di Lasso

 

“Ave Generosa”

Music by Ola Gjeilo

Text by Hildegard von Bingen

Laurel Eu, soprano

  

“Ave Maria”

By Franz Biebl

John Bergquist, Bass

Charlie Kim, Tenor

Trio: Michelle Hoisch, Ellen Ford, & Ruth Markenson

 

~World Premiere~

“Ad Astra”

Music & text by John Bergquist

Video by John Bergquist

 

Intermission

  

“Ave Maria”

Music by Franz Schubert

Arranged by Kirby Shaw

Ruth Bruegger, Violin

 

“Ave Verum Corpus”

By Wolfgang Amadéus Mozart

 

“Ave Maria”

Music by Johann Sebastian Bach & Charles Gounod

Arranged by Russell Robinson

 

“Ave Maria”

Music by Giuseppe Verdi from “Otello”

Performed by San Fernando Valley Symphony Orchestra

  

“Where Are They?”

Music & text by John Bergquist

  

Vespro della Beata Vergine

Music by James Domine

I. Dixit Dominus

II. Ave Maris Stella

III. Ave Maria

IV. Magnificat

Marla Lowrey, Soprano

Ruth Markenson, Alto

Sam Garcia, Tenor

John Bergquist, Bass

Dedication

  

This concert is dedicated to our President Emeritus Sergio Barer, who served as San Fernando Valley Master Chorale’s president of the board from 2017-2026, and the Composer-in-Residence from 2012-2026.

We wish to thank you for your talents, dedication, and commitment to serving our community with the gift of music!

About the Organizations

San Fernando Valley Master Chorale

The San Fernando Valley Master Chorale (SFVMC) is a 501(c)(3) nonprofit performance organization for choral singers representing the San Fernando Valley and surrounding communities.

SFVMC was founded in the spring of 1999. It was sponsored by the Premiere Chorale, a professional ensemble established by Terry Danne in 1977 under the auspices of the Bureau of Music, City of Los Angele.

SFVMC’s major performances have included Carl Orff’s Carmina Burana, Handel’s Messiah, Verdi’s Requiem, and John Rutter’s Gloria. The Master Chorale has appeared at venues including the Madrid Theatre, Los Angeles Pierce College, the Hall of Liberty at Forest Lawn Hollywood Hills, and the Dorothy Chandler Pavilion.

In 2016, Charlie Kim became the Artistic Director of SFVMC, bringing renewed enthusiasm and a fresh artistic vision to the ensemble. Since then, his mission has been to honor Terry Danne’s original vision by creating opportunities for students, community volunteers, and professional musicians to collaborate in performances ranging from beloved classical masterworks to newly commissioned compositions.

In the spring of 2017, Kim began collaborating with composer-in-residence Sergio Barer to premiere several original works, including Moses, an Oratorio, performed with full orchestra at Wilshire Boulevard Temple in downtown Los Angeles, and The Nightmare and the Dream, presented in 2022 at Sinai Temple in Westwood.

Over the years, the SFVMC has had the honor of collaborating with numerous arts organizations throughout the San Fernando Valley and greater Los Angeles, including the San Fernando Valley Youth Chorus, LA Opera, LA Symphonic Winds, the LA Pierce College Choir, the Valley College Choir, Valley Opera Performing Arts, the Northridge United Methodist Chancel Choir, the Lark Musical Society Treble Choir “Tziatzan,” and the San Fernando Valley Symphony Orchestra.

During the COVID-19 pandemic in 2020, SFVMC remained active by creating a virtual choir program with online rehearsals, allowing singers from across America to join SFVMC by submitting individual audio tracks and video recordings that were combined into several full live-streamed concerts for audiences to enjoy from home. These virtual performances included “Celebrating Bernstein,” “Voices Rising,” “Choir-antine Christmas,” and “American Voices.”

In the spring of 2022, SFVMC welcomed John Bergquist as Associate Artistic Director. Since joining the organization, Bergquist has conducted several full concert programs, including “Holidays in the Valley: Celebrate the Mystery” in 2023 and “From Campfire to Concert Hall: A Legacy of American Folk Music” in 2025. SFVMC has also had the honor of premiering many of Bergquist’s original compositions, and in 2026, he was appointed Composer-in-Residence for the San Fernando Valley Master Chorale.

Looking ahead to the 2026 season, SFVMC is proud to be among the select organizations invited to perform as part of one of the San Fernando Valley’s most anticipated cultural events: the reopening of the historic Madrid Theatre in winter 2026.

San Fernando Valley Symphony Orchestra

Since its foundation in the 1940s, the San Fernando Valley Symphony Orchestra (SFVSO) has presented the finest performances of symphonic music to the communities of Los Angeles’ San Fernando Valley. It is the region’s leading symphony orchestra and one of its premier performing arts organizations. Led by Music Director and Conductor James Domine, the SFVSO plays a leading role in the musical life of Southern California.

The SFVSO frequently collaborates with community organizations and local businesses to produce community outreach programs designed for diverse audiences of all ages. This mission was started with our founding conductor, Ilmari Ronka, and his wife, Loraine Vera Ronka, nee Aalbu, in 1946. As the baton passed to James Swift and then Elmer Bernstein, the value of music for all audiences was cemented. Musical groups were challenged during the 1970s, but the orchestra remained, hiring Lois Johnson, one of the first female orchestra conductors in the region, until her departure in 1990.

In the ‘90s, the orchestra baton saw a period of dormancy before its leadership was brought under the direction of James Domine, bringing the Van Nuys Civic Orchestra Association into the San Fernando Valley Symphony Orchestra family in 1992.

Over the decades-long history of the orchestra, it has provided hundreds of live concerts of standard classical and unique original repertoire to the public, featuring some of the best local and international musical artists while also highlighting traditional and more unique instruments. In doing so, the SFVSO endeavors to Bring Great Music Close to Home, focusing on providing full-scale, live orchestral performances to easily accessible, local venues.

The Orchestra also enjoys the ability to provide an active educational outreach program, providing for high-school-aged students through the San Fernando Valley Symphony Orchestra Music Scholarship Awards Competition, the annual Music Teachers Association of California Concerto Competition, and the Domine Scholarship Awards.

The San Fernando Valley Symphony Orchestra is a recipient of grants from the County of Los Angeles Department of Arts and Culture, the City of Los Angeles, the Rotary Club, and various other corporate foundations; it also receives support from individual subscribers and concert patrons.

The Artists

Program Notes

“Ad Astra Per Aspera”

“Through adversity, to the stars!”

by John Bergquist

While the origin of the phrase is unknown, it carries a timeless message that speaks directly to what it means to be human.

Perhaps it is only when we are challenged by great obstacles and choose to face our fears that we can achieve our noblest aspirations and ascend to the greatest heights.

The piece also celebrates the accomplishments of the NASA Artemis program, especially the recent success of Artemis II.

In 2022, the first uncrewed test flight of the Space Launch System rocket and Orion spacecraft successfully launched, orbited the moon and returned to Earth.

In April of 2026, the first crewed mission was safely completed, sending four astronauts for a flyby around the moon.

Next, assuming success with Artemis III’s further test flights, Artemis IV will aim to return humans to the moon for the first time in over 50 years with a target set for early 2028.

Vespro della Beata Vergine

by James Domine

Latin is not dead; it is a venerable, sacred language that bears in its declamation the heart and soul of Western Civilization. It manifests the atmosphere and grandeur of Empire, and its verses trace the landscape of great enterprises and edifices; it is the articulate conveyance of art and culture. The Latin language conducts the electric force that enlivens the veins of technology and architecture, the nurturing mother’s milk of philosophy, history, and poetry. It embodies the irrepressible pulse of life that moves the spirit of religion, the incarnation of divine thought brought to Earth and given as a gift to humanity.

It is an honor and a privilege to come into its presence, to receive the inheritance of its treasured legacy. Latin words are imbued with the spiritual magic of our ancestors who lived and died with these verses in their prayers and upon their lips. The overtones of their memory are bestowed, etched with accuracy and precision upon the lines they recited with devotion. Each syllable is fragile, delicate, powerful and immutable, each word a gemstone set in the golden crown of historical relevance, cultural values, scientific knowledge, philosophical truth and religious faith. Its grammatical constructions embody thoughtful logic that elevates human intelligence, the rhetorical flourish of creation, the brightly shining light that illuminates our otherwise miserable condition, essential to our survival as the supreme, divinely gifted species upon this Earth.

It is a grave responsibility to set the grandeur and majesty of ancient Latin texts to music, especially now that darkness looms in the form of an emergent threat from the very powers that should be a safe harbor of tranquility, a sanctuary of protection guarding the traditions of devotion. Now, in a previously unimaginable act of belligerent anti-historical ignorance comes the misguided directive to discontinue the Latin text of the Mass, to relegate its sacred power, the majestic language of history, tradition, and Christian faith through the ages to the obscurity and disrespect of irrelevance, disuse, and abject rejection.

It is for this reason that I have chosen, at this critical and subversive time, to set these ancient Latin texts to music as a form of social protest using the magnificent liturgical examples that our musical heritage has bequeathed to us. This collection of four Vespers motets includes the anthem “Ave Maria,” the hymn “Ave Maris Stella,” followed by “Psalm 109,” “Dixit Dominus,” and concludes with the “Magnificat.”

It is out of respect for those who have preceded us in this life, in honor of all those who have walked the paths of Western Civilization in the Judeo-Christian historical tradition, that I dedicate this work in the hope that whatever meaning and virtues it may possess will proclaim through music the greater glory of God and inure to the benefit of all those who hear it.

The Ensembles

San Fernando Valley Master Chorale

artistic director
cHARLIE KIM

aSSOCIATE aRTISTIC DIRECTOR
Composer – in – Residence
John Bergquist

Piano accompaniment
Bob Remstein

Sopranos
Anita Beckenstein
Julie Anne Bermel
Laurel Eu
Marla Lowrey
Patricia McLaughlin
Linda Newcomb


Mezzo-Sopranos
Ellen Ford
Audrey Grossman
Michelle Hoisch
Mary Ann Hurst
Samantha Hutter-Cruz
Marina Kobryn

Altos
Janet Anderson
Amy Biedel
Linda Blackwell
Sabra Chili
Meg Foss
Holli Gajadhar
Rachel Markenson
Ruth Markenson
Karen McInnis
Emilie Montoure

Tenors
Howie Anderson
Charlie Kim
Danielle Malconian
Ed Malconian
Kelley Yearout

Basses
Steven Barnett
John Bergquist
Caleb Heulitt
Mark Michaels
Bob Remstein
Bruce Schachne

San Fernando Valley
Symphony Orchestra

mUSIC director
JaMES dOMINE

Stage Manager & Program Administrator
Claire Plauzoles

Violin I
Ruth Bruegger
Ruth Siegel
Cary Belling
Gary Gertzweig
Jeff Corwin


Violin II
Katie Boyle
Sepideh Moazzeh
Melodie Zide
Chris Munoz
Karen Schaffner

Viola
Richard Bruner
Luigi Ito
Judy Garf
Cecille Asuncion

Cello
Ernie Carbajal, Sr.
Veronica Seytan
Saundra Sonderling
Kathleen Hood

Contrabass
Larry Muradian
Larry Tuttle

We Wish to Give Thanks…

 

To All Our Volunteers, Crew, and Donors

 

Marla Lowrey Executive Director

Julie Anne Barnett, Assistant Executive Director, Social Media, Photography, & Program
Charlie Kim, Artistic Director

John Bergquist, Associate Artistic Director & Composer-in-Residence

Steven Barnett, Treasurer & Website

Bob Remstein, Rehearsal Pianist
James Domine, Music Director (SFVSO)

Claire Plauzoles, Stage Manager, Box Office,
& Program Administrator (SFVSO)
Ellen Ford, Front of House
Henry Eu, Box Office
Catherine Cobb, Box Office
Kaelan Barowski, Video
Phoebe & Caroline Lowrey, Volunteers
Hannah Pang, Concessions
SFVMC Board of Directors
SFVMC Advisory Committee
SFVSO Board of Directors

SFVSO Sponsors, Benefactors, & Donors

Northridge United Methodist Church (NUMC)

Rio del Valle Church

Music Teachers’ Association of California

Woodland Hills Rotary Association

​​​


​​​The San Fernando Valley Master Chorale is supported in part by the Los Angeles Country Board of Supervisors through the Los Angeles County Department of Arts and Culture. We are also supported in part by the Los Angeles Department of Cultural Affairs.

The San Fernando Valley Symphony Orchestra is also supported in part by the Los Angeles County Department of Arts and Culture.